Satori Channel
All-in-one channel strip. One plugin instead of the whole chain.
Satori Channel
All-in-one channel strip. One plugin instead of the whole chain.
All-in-one channel strip: filters, gate, nine saturation circuits, double-stage compressor, console EQ with Air, de-esser, stereo tools, clipper, limiter and Level Match. A Mix control on every module. 500+ hand-crafted presets.
Satori Channel. The Moment Mixing Becomes Clear.
One plugin instead of the whole chain.
Filters. Gate. Nine saturation modes. Compression. Transient shaping. Musical EQ. De-essing. Stereo generation. Psychoacoustic panning. Clipping. Limiting. Your entire processing chain, brought into one focused, musical workflow. Traditional channel strips stop at filters, gate, EQ, compression and a little analog color. You still stack a saturator, transient shaper, de-esser, stereo tool, clipper and limiter on top. Satori Channel was built to be the only plugin most tracks need, to get a top sound fast. Launch price $96 instead of $120, October 14 to October 28. Free 14-day trial. macOS and Windows, VST3, AU and AAX.
Sound Examples
Nine Saturation Colors. One Click Away.
From subtle warmth to aggressive destruction.
Nine distinct analog-inspired modes. Choose a circuit, dial in with Drive and Mix, shape with the dedicated filter and resonance. Ed: clean, smooth preamp color with big transformers. The gentlest mode, safe on anything. Bruce: modern hybrid Class-A color. Tight, clean and punchy with no softening. Bob: vintage germanium transistor glow. Soft, rounded lows and a slightly hazy top. Jack: big iron transformer drive. Adds weight and punch to the low end. Dave: reel-to-reel tape saturation. Glues the sound and softens harsh peaks. Andrew: single-tube character with a woody, midrange-forward tone. Good for adding presence. Andy: rich three-tube warmth with a high-voltage supply. Thick and forgiving on vocals. Joey: power-tube drive pushed hard. The loudest, most aggressive tube flavor. Terry: solid-state overdrive with diode clipping. Gritty and edgy, great on drums and guitars.
Ultra-Musical Double-Stage Compressor
Two controls on the outside, two compressors inside. Plus Slam.
Amount and Mix, two immediate controls. Inside: a double-stage design that combines slow and fast compression, a sidechain filter and Transient Punch. The default center Mix position gives you parallel compression from the start. Transient Punch softens or emphasizes attacks independently of compression amount. Slam adds a third, pumping stressor-type compressor for when you want the track to hit hard.
EQ & Air. Two Classic Analog EQs.
A vintage British console section and an Air band from a famous mastering EQ.
Low, Mid and High bands modeled after a vintage British console, plus an Air shelf from a famous mastering EQ. Two notch filters, De-Mud and De-Res, take care of boxiness and resonances. The whole EQ section works in parallel with its own Mix control.
Everything You Need to Shape and Finish a Sound
Stereo tools, clipper, limiter and Level Match. And almost everything works in parallel.
Filters: flexible Low Cut and High Cut with two modeled behaviors, classic console and DJ-mixer style. Gate: control noise, bleed and unwanted tails with adjustable sensitivity, three release modes and parallel Mix. De-Esser: direct control over frequency, sensitivity and parallel Mix. Listen mode isolates the problem area, the reduction meter shows exactly how much is applied. Width, Stereoize & Haas Panner: Stereoize turns mono into a spacious, moving stereo image using tape-drift timing and pitch variations, mono-compatible. Plus a stereo expander, LF mono maker, Phase Flip, L-R Swap and a psychoacoustic Haas panner. Clipper: catch sharp transients with parallel Mix, adjustable Clip Ceiling and clear metering. Limiter & Level Match: selectable output ceilings, input drive, gain-reduction metering. Built-in Level Match compares processed and original at equal perceived loudness, so you judge the processing, not the volume.
Parallel Processing Built Into the Workflow
A Mix control on every module. 500+ hand-crafted presets.
Gate, saturation, compression, EQ, de-essing and clipping each have their own Mix control: parallel processing without extra buses or duplicate tracks. Individual module bypasses make honest comparisons instant. 500+ hand-crafted presets. Not the usual filler bank: every preset is dialed in by hand for all the main instruments, acoustic and electronic. Pick one, and the whole chain is already in a musical place. Analog thinking, modern workflow.
One Plugin Instead of an Entire Chain
Launch price: $96 from October 14 to October 28, 20% off for the first two weeks. After October 28 Satori Channel goes to the regular $120.
AAX, AU, VST3 versions
64-bit only
Ableton Live 11+ (Mac & PC: AU, VST3)
Bitwig 4+ (Mac & PC: AU, VST3)
Cubase 13+ (Mac & PC: VST3)
Digital Performer 11+ (Mac & PC: AU, VST3)
FL Studio 23+ (Mac & PC: VST3)
Garageband 10+ (AU)
Logic Pro 10+ (AU)
Pro Tools 12+ (Mac & PC: AAX)
Presonus Studio One 5+ / Fender Studio (Mac & PC: AU, VST3)
Reaper 6+ (Mac & PC: VST3)
Cakewalk Next by BandLab (PC: VST3)
AAX is a trademark and software of Avid Technology. Audio Units is a trademark and software of Apple Inc. VST3 is a trademark and software of Steinberg Media Technologies GmbH.
AAX, VST3, AU versions included
64-bit only (Mac / PC)
Mac OS X 10.15 or higher (Intel native | ARM native)
Windows 10
At least 4GB of RAM, 16GB is recommended
At least 200MB of free drive space (OS drive)
Customer reviews
Own this product? Sign in to write a review
No reviews yet. Only people who bought this product can write one.
More from Styx Audio
by Styx Audio
Zen Stage sets the level of any track to the optimal input for your plugins with one press. Two modes, a four-second measurement, a safety limiter. Gain staging under control.
by Styx Audio
Dirty, but mix-ready. Two complementary springs give this reverb a wide, lively stereo image, while tube and tape saturation add grit. Built-in ducking keeps it out of the way of the dry signal, and wet-only autopanning adds movement without extra routing. Turn Width to zero for classic mono.
by Styx Audio
Slap Happy delivers the classic slapback echo, tuned to sit in the mix from the first knob turn. Width opens the repeat into stereo, Ambience adds short reflections for a deep stereo image, and built-in sidechain compression ducks the echo while the dry signal is playing. The result is instant vintage depth — without clutter, mud, or endless tweaking.
by Styx Audio
A premium stereo hall reverb designed to sound right from the start. Instead of endless parameters, Hall of Fame gives you a simple, intuitive workflow with a carefully pre-shaped sound. Built-in saturation, compression, and resonance control let it sit effortlessly in the mix while preserving the attack and clarity of the source. The result is a rich, spacious hall reverb without harshness, mud, or endless tweaking.
Similar products
by Gilder Audio
What if you could dial in a killer vocal tone in a matter of seconds? GilderVox takes the guesswork out of mixing vocals. (It's hard to make this thing sound bad.)
by Sage Audio
Sage Velvet may be the first plugin to fully capture the nuances of Analog Equipment. Full of detail and nonlinearities, Sage Velvet is a near-perfect recreation of the hardware that inspired it.
by JVAL Audio
Effortlessly add more punch, energy, and consistency to your kick drums.
by Mixdown Online
A complete sonic finisher for your instrument buses and master channel. Analog drive, precise compression, and a musical EQ in one intuitive plugin. From subtle glue to aggressive energy, get your mixes sounding huge, fast.